LUFS AND TRUE PEAK
Integrated, short-term and momentary loudness, LRA, true peak and correlation: everything a master needs, at the input and at the output.
SOUND OVERFLOWSOFTWARE FOR SOUND DESIGNERS
EFFECT / AUDIO FX / V1.0
A pre-mastering chain in one window. EQ with MATCH, dynamic EQ, compressor, multiband, stereo and maximizer, with the meters to land your track exactly where you want it.



VIDEO DEMO
Finishing a track usually means stacking plugins and guessing. POLI puts the whole chain in one window, in the right order, with one view of what happens: the waveform, the gain reduction of each stage and the loudness, live.
Start from one of the ten factory presets (Streaming Clean -14, Techno Club -9, Podcast Voice -16 and more), compare with a reference, then aim for your target. Every module switches off without a click and the latency never moves, so your host never has to recalculate.
Integrated, short-term and momentary loudness, LRA, true peak and correlation: everything a master needs, at the input and at the output.
MONO BELOW keeps the bass and the kick in the centre while HIGH WIDTH opens the top.
8.5 ms whatever is on or off: your host compensates it once and for all.
Every setting, the reference profile and the 128 MATCH bands travel with your session.
UP CLOSE
Captured from the real interface, while it plays.
EQ and DYN EQ fix the tone, COMP holds the whole, MULTIBAND each band, STEREO places the image, MAXIMIZER sets the loudness. A module that is off keeps running in the background: switching never clicks and the latency never moves.
Six parametric bands, and MATCH: load a reference with REF, let POLI LEARN 30 seconds of your densest passage, press MATCH, then dose it with AMOUNT. 128 bands follow the reference, and POLI never boosts what your mix does not contain.
Four dynamic bells that only cut when a note rings: pick a bell, LISTEN, sweep FREQ until the harsh note jumps out, then lower THRESHOLD until it only cuts on it. Each bell listens to its own band; switched off, it is exactly transparent.
Four bands split at 24 dB per octave that always sum flat, each with its own compressor and its reduction drawn live. CONVERGE sets each threshold so the crest of every band meets your reference’s: it only writes the knobs, then you listen and retouch.
Width per band, on the sides only: the centre never moves, so the mono sum keeps its level. MONO BELOW keeps the bass and the kick in the middle, HIGH WIDTH opens the top, and the goniometer shows the result.
Set a TARGET, press TO TARGET, and the MAXIMIZER brings the gain there while holding its true peak ceiling. The screen shows the last 8 seconds of the output, the peaks the MAXIMIZER cut in red; the meters give integrated, short-term and momentary loudness, LRA and true peak, at the input and the output.
COMPATIBILITY & DELIVERY
64-bit builds for Windows and macOS (Apple Silicon and Intel). VST3 and AU inside your DAW, or a standalone application.
Install the plugin on your main computer and a second machine.
Installer, licence and updates available once the order is confirmed.
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